A Tokyo ryokan that’s not for tourists
Over the last few weeks I’ve documented some of the older accommodation that can be found in Japan, from a massive and unique looking public housing complex, to a narrow street of mostly wooden, post-war Tokyo homes. With those photos in mind, the incredibly dated ryokan below is in many’s ways quite comparable, and yet at the same time it’s also markedly different.
Ryokan, or traditional Japanese inns, have an image of large rooms, fancy food and relaxing hot baths — aspects that are generally true in tourist spots such as Kyoto and Hakone. On the other hand, ryokan can also be a cheap and cheerful option catering to the likes of traveling salesman and construction workers. The latter being lodgings where you get exactly what you pay for, which generally isn’t very much.
This ryokan, however, is cheaper still, with long-term stays welcome, and where prices start at just ¥1,200 a night. Considering the number of shoes stowed by the entrance, and the time of day I took the photos, it would appear that people staying for extended periods is very much the norm as well. A predicament that’s about as far from the usual image of life in Tokyo as this ryokan is in regards traditional Japanese accommodation.
Looking in and out of an old Japanese beauty salon
Japanese housing of the future, from the past, in the present
Last week I posted photos of an old and incredibly traditional Tokyo street. A tightly packed little road lined with small wooden houses — the type of scenery and accommodation that must have once dominated the rapidly expanding capital.
That post-war growth, accelerated further by an increasing number of young, middle class families looking to move into the suburbs, created a housing crisis that resulted in the mass construction of concrete tower blocks of varying heights and sizes. The initial design and all-important efficiency of which was at least partly influenced by Soviet Khrushchyovka. Known as danchi, these government projects primarily offered affordable, but at the same time modern and well-equipped apartments.
The rush to build, and the similar rush of people wanting to move into these state-of-the-art concrete estates eventually peaked in the early 1970s, when the authorities officially determined that the housing crisis was over. A decision that, planned or otherwise, resulted in the slow, perhaps inevitable decline of the once fabled danchi, both in regards reputation and actual real estate.
These days, a lot of those early structures have already been demolished, with many more set to follow, yet a huge number of buildings still remain, and having initially moved in with their young, or soon to be young families, a considerable number of those early residents have stayed on. Nowadays, however, they are old, often alone, and their surroundings are far from ideal when it comes to the needs of the elderly. Isolation due to limited mobility and a dwindling network is an obvious problem, and along with other hardships, it has given rise to the terribly sad phenomena of kodokushi, or lonely, unnoticed deaths.
How many of these structures will survive in the coming decades is hard to say, but while many of them are incredibly utilitarian in design, the odd one or two, like the behemoth below which I first photographed a few years ago, are striking in both their looks and scale. A once futuristic vision from the past that’s now stuck in a perhaps understandably indifferent present.
Matching kimono secrets and suspicion?
A traditional and genuinely lovely little Tokyo street
Tokyo is in a constant state of flux, and over the last several years or so that pace of change really has gone up a gear or two, with countless post-war and wonderfully patched up structures falling foul of the continually circling demolition crews.
Thankfully, in a city so large, old bits do remain, and the street below provides the perfect example of how the city was, along with how some of it still is. The concrete and glass towers may well be making inroads, but on ground level at least, life goes on just like it has for goodness knows how many decades.